What was the idea behind the murals?
The themes for this project were organic, jungle, and something related to parking. I thought it would be amusing to create a figure riding a giant cat, its eyes glowing like headlights. Around the corner, you’d encounter a cluster of these “catmobiles,” overgrown with plants, as if nature had reclaimed them.
On the electrical substation, I depicted the owners of these catmobiles, the guardians of the parking lot. They’re layered and intertwined, performing an abstract dance of movement and form.
I enjoy blending organic shapes and natural elements in my work. Playing with abstract poses and overlapping figures allows me to create dynamic, engaging compositions.
Can you tell us something about your background as an illustrator, animator, and storyteller?
I’ve been drawing for as long as I can remember. My school notebooks were always filled with doodles, and I was constantly coming up with projects, teaching myself new skills like making videos, photographing, drawing, and animating. After high school, I wasn’t sure what I wanted to study, so I enrolled in an MBO course in media design.
The study didn’t feel like a final destination but rather a stepping stone. I craved for more creative development and a deeper focus on storytelling. After completing media design, I was accepted into the Illustration course at HKU, where I graduated in 2023.
I love teaching myself new skills and experimenting with different creative techniques. My inspiration comes from nature, emerging technologies, graphic novels, art books, games, mythology, folklore, and the work of other creators.
What does your creative process look like?
When I’m relaxed (often with music on), I like to sketch freely in my sketchbooks without overthinking. I usually start with creating creatures and objects that intrigue me.Later, I revisit these sketches to develop concepts and jot down ideas. From there, I experiment with various media and compositions to create something unique and distinctive.
Underwater creatures and environments are a recurring feature in your work. Where does this fascination come from?
When I was younger, my grandparents would take me to Burgers’ Zoo, where they have a massive aquarium. It left a big impression on me.
The underwater world is something you don’t encounter every day. It feels like an alternate reality, mysterious, calming, yet also dark. As they often say, we know more about the universe than our own oceans. There are still countless plants and creatures to discover, many of which look alien. Through my work, I aim to invite viewers into a new reality where there’s still so much to explore.
(Previous work from Julian)
Are there any dream projects you’d love to work on in the future?
My dream is to collaborate with a team to create an immersive art experience or installation where visitors can physically step into my work.
For example, in Utrecht and Tilburg, there are the art mazes by Doloris. In the United States, there’s Omega Mart, a fictional supermarket where visitors can explore and uncover a narrative.
Be sure to check them out the guardians of the parking lot and their catmobiles.
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